Legends of doom metal, Paradise Lost, have released their third single, Tyrants Serenade, a four-minute goth metal masterpiece and a commanding new addition to the band’s storied catalog. The track is taken from their forthcoming album, Ascension, set for release on September 19 via Nuclear Blast Records.
Vocalist Nick Holmes provides insight into the song’s dark and reflective themes:
“Observing the death of an individual, and subsequently, how the transition of seasons evokes fond memories. The God of Malevolence serves as an internal voice to dismantle those cherished memories and reintroduces the initial anguish of loss.”
Tyrants Serenade showcases Paradise Lost at one of their most dynamic points to date, blending crunchy riffs and soaring guitar melodies with a striking interplay of clean and harsh vocals. The single is accompanied by a visually striking music video, directed by longtime collaborator Ash Pears, known for his work with Host, Bloodbath, and Katatonia.
To celebrate the album’s release, the band has announced a series of intimate signing sessions and a record release show in Leeds, UK.
Fans can stream Tyrants Serenade here and pre-order Ascension here. The official music video is available here.
Ascension, the band’s first album in five years following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. The album reflects the band’s enduring relevance over their 35+ year career, weaving together elements of gothic, death, and doom metal that fans have come to cherish.
The album cover features The Court of Death (1870–1902) by British artist George Frederic Watts, housed in London’s Tate Gallery. The painting portrays Death as an enthroned angel, flanked by allegorical figures of Silence and Mystery, while a warrior surrenders his sword and a duke his coronet, emphasizing that worldly status offers no protection. Its bleak, prophetic vision mirrors the album’s dark and tormented soundscapes, where mournful verses collide with foreboding riffs.
Holmes summarizes the record:
“Ascension is a cavalcade of molten misery, a vigorous sorrow-filled stroll through a wicked world of glorious triumph and pitiful tragedy.”